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Without question, the original rock-star chef is Marco Pierre White. Anyone with even a passing interest in the food world knows White is a legend. The first British chef (and the youngest chef anywhere) to win three Michelin stars - and also the only chef ever to give them all back - is a chain-smoking, pot-throwing multiply- married culinary genius whose fierce devotion to food and restaurants has been the only constant in a life of tabloid-ready turmoil. In The Devil in the Kitchen White tells the story behind his ascent from working-class roots to culinary greatness, leaving no dish unserved as he relays raucus and revealing tales featuring some of the biggest names in the food world and beyond, including: Mario Batali, Gordon Ramsay, Albert Roux, Raymond Blanc, Michael Caine, Damien Hirst, and even Prince Charles. With candid honesty and wicked humor, he gives us insight into what it takes to become a great chef, what it's like to run a 3-star kitchen, and why sometimes you really do need to throw a cheese plate at the wall.
- Sales Rank: #20550 in Books
- Brand: Brand: Bloomsbury USA
- Published on: 2008-05-29
- Released on: 2008-05-27
- Original language: English
- Number of items: 1
- Dimensions: .33" h x .84" w x 5.50" l, .60 pounds
- Binding: Paperback
- 272 pages
- Used Book in Good Condition
Amazon.com Review
Amazon Significant Seven, May 2007: Marco Pierre White made history as the most decorated chef in the UK and still holds the honor as the youngest chef ever to win three Michelin stars. Billed as a "brooding Byron" of the kitchen, MPW brought a punk-rock sensibility to his craft, shattering centuries-old rules of fine-dining tradition (and bruising many egos in the process) in his pursuit for perfection. He remains a searing influence on a generation of chefs who survived tours-of-duty in his kitchen brigade and those inspired by White Heat, his modern-classic cookbook (and now high-priced collector's item). In his absorbing culinary memoir, The Devil in the Kitchen, MPW offers intimate insights into his storied career presenting a larger-than-life portrait of a living legend and a culinary genius. --Brad Thomas Parsons
From Publishers Weekly
[Signature]Reviewed by James OselandThe world's most celebrated chefs are divided into two opposing camps these days. In one, there are the do-gooder humanists like Alice Waters of Berkeley's Chez Panisse. In the other, there are the self-avowed holy terrors like Britain's Marco Pierre White, author of this plodding autobiography, co-written with James Steen and originally published in the U.K. in 2006 under the untoward title White Slave. An influential figure in English cooking in the 1980s and '90s, White built an empire of London restaurants that included Harveys (where he became the youngest chef—at age 28—to win two Michelin stars), Mirabelle and the Oak Room. Famous folks like Michael Caine and Prince Charles were admirers of White's smart, decadent interpretations of classic French dishes. But while White was widely lauded for his culinary skill, it was his flamboyant temper that most frequently earned him headlines. An avowed proponent of tongue lashings (White calls them "bollockings") toward kitchen staff for all manner of infractions, the chef claims that such harsh behavior is justified in the pursuit of excellent dining. "If you are not extreme then people will take short cuts because they don't fear you," White explains. What he dubbed his "theatre of cruelty" extended beyond his kitchen. During White's glory years, getting thrown out of one of his establishments by the enfant terrible himself was considered a badge of honor by some Londoners. White recounts in the book one such eviction, of a patron who had criticized his meal: "Staring at this dwarfish, patronizing man... I found myself saying, 'Why don't you just f— off?'" Scenes like this make up the lion's share of The Devil in the Kitchen; indeed, after a point, they become dirge-like in their predictability. Why, I asked myself midway through this book—right around the time that my discomfort at White's antics gave way to boredom—would readers, much less diners, want to be in the company of such a gregariously antisocial character? As is the case with virtually any autobiography, the answer is that we are seeking a window into the subject's soul, no matter how, well, unsavory that subject might be. His book, unfortunately, provides no such insights, offering readers little more than a continual, atonal concerto of scuffles with customers and insults to co-workers. Please, I wanted to say to White as I was reading, stifle all that alpha male stuff and just cook. (May)James Oseland is the editor-in-chief of Saveur magazine and the author of Cradle of Flavor: Home Cooking from the Spice Islands of Indonesia, Singapore and Malaysia (Norton, 2006).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Enfant terrible of the kitchen, White earned three Michelin stars leading the restaurant at London's Hyde Park Hotel, the very first British chef so lauded. Yorkshire-born into a sad childhood dominated by the early loss of his mother, the teenage White found his vocation working in a local hotel's kitchen. In uncensored prose, White portrays the arc of his career as it passed from this provincial dining room up to the pinnacle of culinary accomplishment at London's legendary Le Gavroche. Utterly focused on learning his craft, White absorbed the examples of master French chefs. Beyond White's personal triumph, his memoir documents the rapid evolution of British taste in the 1970s and 1980s, when growing affluence and sophistication among the British public encouraged restaurants to dump stodgy British cooking and welcome French-disciplined young chefs who could cook at least as well as their neighbors across the Channel. Mark Knoblauch
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
2 of 2 people found the following review helpful.
Bland - repetitive & unidimensional !!!!!!
By Vivek
For a seemingly interesting life, this is a bland story telling.
I had watched Marco on Masterchef and was certainly intrigued by his approach and practice of the craft. His style was certainly appealing. He knew how to talk in front of the camera. He marked his presence. Compared to that, the book seems rather uninteresting. Getting into too mundane aspects, it is repetitive and unidimensional. I don't if its how the life of the man was, or how he preferred to see his life, but I'm sure a life is more interesting than the "getting up-going to work-pushed by people /shouting at people - doing work- getting exhausted-crashing on the bed" routine. If that is the case, one should certainly restrain from writing autobiographies. There were certain parts of the book, especially inserts in italics, where one gets to see the mind of the man, his ideas, his views.
If the idea out of being repetitive & talking mostly about the kitchen life & restaurant (so little about the food, his philosophy about that) was to show the tough life and the obsessive nature of the man (about michelin stars!!!), it did its work. But why do I need to read it again & again, said in almost the same way. If no other way was possible, perhaps this book should have had half the pages as it does now.
3 of 3 people found the following review helpful.
Boring writing
By Karen Mclean
I was expecting something far more interesting from this ultra famous chef. Something along the lines of Heat, or one of Anthony Bourdain's books. All I learned really is that he was a perfectionist chef, a task maste. His training of other famous chefs such as Mario Batali and Gordon Ramsey could have been fascinating, but the stories were related in a very dry, humorless manner.
1 of 1 people found the following review helpful.
Simple, perfect and honest - just like his food
By Murray
Honesty is a commodity often lost in cooks bios. This book is refreshingly worts and all. Admirers of his work understand his passion and what it takes to be that successful in such a cut throat industry. If a person can be measured by not only his work, but the standards the people he has trained attain to. That person must surely be rated a success. Macro is not that he is much more and this book exposes those areas.
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